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Abstracts


Round-table I: Space for possibilities today
Anne Lorentzen, University of Oslo

>>> Music and gender. A status report >>
Cecilie Ore, composer, Oslo
>>> Music and Misogyny >>
Therese Birkelund Ulvo, composer, Oslo
>>> Contemporary music - is gender an issue? >>
Hilde Holbæk-Hanssen, Music Information Center, Oslo
>>> Do I really have a special strategy to promote a woman composer? >>

Round-table II: Perspectives on the North
Harald Herresthal, Norwegian Academy of Music, Oslo
>>> Musik als Möglichkeitsraum. Eine Geschichte aus der Frauenemanzipation in
>>> Norwegen
>>
Bernd Henningsen, Nordeuropa-Institut der Humboldt-Universität zu Berlin
>>> Was ist anders? Was ist gleich? Zur positiven Konstruktion norwegischer
>>> Politik und Kultur - eine vergleichende Perspektive
>>

Round-table III: Space for possibilities from around 1900
Lena Haselmann, University of Arts, Berlin
>>> Norwegische Musikstudentinnen in  Berlin am Beispiel Agathe Backer-
>>> Grøndahls
>>
Astrid Kvalbein, Norwegian Academy of Music, Oslo
>>> The female composer and modernity: Pauline Hall (1890-1969) as controversial
>>> – and conventional?
>>
Inger Johanne Christiansen, Nasjonalbiblioteket, Oslo
>>> Hidden sources concerning Norwegian women composers >>

Round-table IV: Writing music history: a space for possibilities?
Camilla Hambro, University of Stockholm
>>> Gender and Canonisity in Norwegian Music History. The Hermeneutics of
>>> Feminism and Canon-Transformations of Men´s and Women´s Music at the
>>> Dawn of the "Women´s Century"
>>

Florian Heesch, Academy of music and Dance, Cologne
>>> Das Lexikon Musik und Gender (2010) als Beitrag zu einer
>>> geschlechtersymmetrischen
Musikgeschichte
>>

 

 

Concert

Cecilie Ore